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CERM 6th Annual Night Photo Shoot

This past Saturday June 13th was the 6th Annual Night Photo Shoot at the Connecticut Eastern Railroad Museum in Willimantic.  We had to top last year’s shoot, which included the use of the turntable in a number of shots.  This year the volunteers came through again, and kicked things up a notch.  As you can see in the teaser shot to the left, we were able to do a lineup in each of the six pits of the roundhouse.  Yep, the museum volunteers laid track from the turntable to every bay in the roundhouse – the last bit of track to pit #2 was actually finished a couple hours before the night shoot began.  Talk about hard work…

This year, 18 photographers gathered in Willimantic on a rainy evening to shoot trains in the dark.  Despite the rain, a great time was had by all, and from what I’ve heard back thus far, everyone was happy with their photos from the evening.

First off, a huge “thank you” to my fellow museum volunteers who put in the back-breaking work, preparing the site for the shoot.  From the general cleanup, to laying track into each pit of the roundhouse, to moving the equipment around (although, I think they really enjoyed that part) – without them, the shoot wouldn’t have happened.  Of course, another big thank you to friend & fellow photographer Bob LaMay for helping me come up with the scenes for this year’s shoot.  And another huge tip of the hat to Fred Jones, who came up from New Jersey to lead the lighting effort.  I did end up lending a hand with most of the shots at the roundhouse – there was just too much ground to cover for one guy – but Fred did a bang-up job as the primary light guy.  And last, but not least, a huge “thanks!” to all the photographers that came down to support the event.  This year we continued the tradition of drawing from surrounding states – this year’s photographers hailed from CT, NJ, NY, MA and RI.

OK, enough of that stuff.  Here’s the photos.  The stuff at the beginning was from earlier in the day as the volunteers were positioning the equipment for the shoot.  And FYI, no Baldwins were harmed during the execution of the Night Photo Shoot (it was done with a scrap of steel) – you’ll see what I’m talking about further on down the page…

A look from the 44 tonner down into the roundhouse area
A look from the 44 tonner down into the roundhouse area
Taken with - Canon EOS 20D Sigma 18-50mm f/2.8 EX DC
View in the gallery

The car mover & 45 tonner sit on the turntable
The car mover & 45 tonner sit on the turntable
Taken with - Canon EOS 20D Sigma 18-50mm f/2.8 EX DC
View in the gallery

A look from the inside out.  Left to right is the 0-4-0T, 25 Tonner and MEC Railbus
A look from the inside out. Left to right is the 0-4-0T, 25 Tonner and MEC Railbus
Taken with - Canon EOS 20D Sigma 18-50mm f/2.8 EX DC
View in the gallery

One of the cabooses undergoing restoration inside the roundhouse
One of the cabooses undergoing restoration inside the roundhouse
Taken with - Canon EOS 20D Sigma 18-50mm f/2.8 EX DC
View in the gallery

Three pieces of equipment in the roundhouse
Three pieces of equipment in the roundhouse
Taken with - Canon EOS 20D Sigma 18-50mm f/2.8 EX DC
View in the gallery

All pits occupied!  Left to right:  GE 44 tonner, Fairmont Speeder, GE 45 tonner, MEC Fairmont Railbus, GE 25 tonner, Baldwin 0-4-0T
All pits occupied! Left to right: GE 44 tonner, Fairmont Speeder, GE 45 tonner, MEC Fairmont Railbus, GE 25 tonner, Baldwin 0-4-0T
Taken with - Canon EOS 20D Sigma 18-50mm f/2.8 EX DC
View in the gallery

The EMD FL-9 waits at the Chaplin Station
The EMD FL-9 waits at the Chaplin Station
Taken with - Canon EOS 40D Sigma 18-50mm f/2.8 EX DC Lumedyne Flash Lighting by Fred Jones
View in the gallery

Ex-New Haven FL-9 waits at the Chaplin Station
Ex-New Haven FL-9 waits at the Chaplin Station
Taken with - Canon EOS 40D Sigma 18-50mm f/2.8 EX DC Lumedyne Flash Lighting by Fred Jones
View in the gallery

Ex-New Haven FL-9 waits at the Chaplin Station
Ex-New Haven FL-9 waits at the Chaplin Station
Taken with - Canon EOS 40D Sigma 18-50mm f/2.8 EX DC Lumedyne Flash Lighting by Fred Jones
View in the gallery

The lineup at the Columbia Junction roundhouse
The lineup at the Columbia Junction roundhouse
Taken with - Canon EOS 40D Sigma 15mm f/2.8 EX Fisheye Lumedyne Flash Lighting by Fred Jones & Tom Nanos
View in the gallery

Museum Volunteers Mark Granville (L) and Rich Cizik (R) pose in one scene at the roundhouse.
Museum Volunteers Mark Granville (L) and Rich Cizik (R) pose in one scene at the roundhouse.
Taken with - Canon EOS 40D Sigma 18-50mm f/2.8 EX DC Lumedyne Flash Lighting by Fred Jones & Tom Nanos
View in the gallery

Another view of the lineup at the roundhouse, with the corner stone visible showing the original and rebuild dates
Another view of the lineup at the roundhouse, with the corner stone visible showing the original and rebuild dates
Taken with - Canon EOS 40D Sigma 18-50mm f/2.8 EX DC Lumedyne Flash Lighting by Fred Jones & Tom Nanos
View in the gallery

Volunteers prepare shove the 44 tonner back for the next shots
Volunteers prepare shove the 44 tonner back for the next shots
Taken with - Canon EOS 40D Sigma 18-50mm f/2.8 EX DC
View in the gallery

The Trackmobile car mover shoves the 44 tonner into pit 1, as volunteer Mark Granville watches
The Trackmobile car mover shoves the 44 tonner into pit 1, as volunteer Mark Granville watches
Taken with - Canon EOS 40D Sigma 18-50mm f/2.8 EX DC
View in the gallery

The roundhouse lineup from the other side
The roundhouse lineup from the other side
Taken with - Canon EOS 40D Sigma 18-50mm f/2.8 EX DC Lumedyne Flash Lighting by Fred Jones & Tom Nanos
View in the gallery

A head-on look at the roundhouse & turntable
A head-on look at the roundhouse & turntable
Taken with - Canon EOS 40D Sigma 18-50mm f/2.8 EX DC Lumedyne Flash Lighting by Fred Jones & Tom Nanos
View in the gallery

Another view of the lineup
Another view of the lineup
Taken with - Canon EOS 40D Sigma 18-50mm f/2.8 EX DC Lumedyne Flash Lighting by Fred Jones & Tom Nanos
View in the gallery

Museum volunteer Rich Cizik makes some sparks on the Baldwin 0-4-0T
Museum volunteer Rich Cizik makes some sparks on the Baldwin 0-4-0T
Taken with - Canon EOS 40D Sigma 18-50mm f/2.8 EX DC Lumedyne Flash Lighting by Fred Jones & Tom Nanos
View in the gallery

Museum volunteer Rich Cizik makes some sparks on the Baldwin 0-4-0T
Museum volunteer Rich Cizik makes some sparks on the Baldwin 0-4-0T
Taken with - Canon EOS 40D Sigma 18-50mm f/2.8 EX DC Lumedyne Flash Lighting by Fred Jones & Tom Nanos
View in the gallery

Museum volunteer Rich Cizik makes some sparks on the Baldwin 0-4-0T
Museum volunteer Rich Cizik makes some sparks on the Baldwin 0-4-0T
Taken with - Canon EOS 40D Sigma 70-200mm f/2.8 EX DG APO HSM Macro Lumedyne Flash Lighting by Fred Jones & Tom Nanos
View in the gallery

The Trackmobile car mover illuminates all the bays as it's swung into position to retrieve the 25 tonner for the next shot
The Trackmobile car mover illuminates all the bays as it's swung into position to retrieve the 25 tonner for the next shot
Taken with - Canon EOS 40D Sigma 15mm f/2.8 EX Fisheye Lumedyne Flash Lighting by Tom Nanos
View in the gallery

Museum volunteer Paul sits in the 25 tonner as Mark & Rich work the Armstrong turntable
Museum volunteer Paul sits in the 25 tonner as Mark & Rich work the Armstrong turntable
Taken with - Canon EOS 40D Sigma 18-50mm f/2.8 EX DC Lumedyne Flash Lighting by Fred Jones & Tom Nanos
View in the gallery

Museum volunteer Paul sits in the 25 tonner as Mark & Rich work the Armstrong turntable
Museum volunteer Paul sits in the 25 tonner as Mark & Rich work the Armstrong turntable
Taken with - Canon EOS 40D Sigma 18-50mm f/2.8 EX DC Lumedyne Flash Lighting by Fred Jones & Tom Nanos
View in the gallery

Museum volunteers Mark and Rich working the Armstrong turntable as the Baldwin 0-4-0T looks on
Museum volunteers Mark and Rich working the Armstrong turntable as the Baldwin 0-4-0T looks on
Taken with - Canon EOS 40D Sigma 70-200mm f/2.8 EX DG APO HSM Macro Lumedyne Flash Lighting by Fred Jones & Tom Nanos
View in the gallery


Head to this album

Thanks for looking!
Tom

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